{"id":6315,"date":"2022-11-17T13:27:02","date_gmt":"2022-11-17T12:27:02","guid":{"rendered":"https:\/\/www.studio17.it\/studio\/?p=6315"},"modified":"2022-11-19T13:44:20","modified_gmt":"2022-11-19T12:44:20","slug":"annalisamettaecaterinasbranahicsuntleones","status":"publish","type":"post","link":"https:\/\/www.studio17.it\/studio\/annalisamettaecaterinasbranahicsuntleones\/","title":{"rendered":"Annalisa Metta e Caterina Sbrana Hic Sunt Leones"},"content":{"rendered":"\t\t
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Un racconto a due voci sulle presenze e le persistenze selvatiche nelle aree incolte urbane e di periferia, e sui paesaggi immaginari che ne possono nascere.
In occasione della mostra\u00a0Eco-esistenze: forme del naturale e dell\u2019artificiale\u00a0(in collaborazione con il\u00a0Master in Curatorial Practice\u00a0di\u00a0IED Firenze) l\u2019artista\u00a0Caterina Sbrana e\u00a0l\u2019architetta del paesaggio\u00a0Annalisa Metta condurranno un\u2019esplorazione dell\u2019immaginario dedicato alle aree incolte urbane e di periferia tra geografie perdute e nuove possibilit\u00e0.
Quali sono le presenze che abitano questi luoghi? Quali storie raccontano, quali visioni suggeriscono? In che modo natura e cultura, umano e non umano si incontrano in queste \u201cterre di mezzo\u201d? Un racconto a due voci che unisce la sensibilit\u00e0 di un\u2019artista che\u00a0ha\u00a0fatto del paesaggio un tema ricorrente nella propria ricerca e le riflessioni di una studiosa che ha approfondito il rapporto tra uomo, paesaggio e architettura in numerose pubblicazioni.\u00a0Al termine dell\u2019incontro alcuni semi di piante selvatiche provenienti dall\u2019archivio di raccolta dell\u2019artista saranno regalati ai partecipanti e restituiti a nuovi\u00a0paesaggi.
Attivit\u00e0 gratuita, fino esaurimento posti disponibili.
L\u2019incontro si svolger\u00e0 nei laboratori della Fondazione Palazzo Strozzi.
Biografie
Caterina Sbrana (Pisa, 1977) ha studiato restauro presso l\u2019Istituto di Arti Operative di Perugia e si \u00e8 diplomata all\u2019Accademia di Belle Arti di Carrara in Pittura e Arti Visive. Conduce una ricerca artistica in bilico tra l\u2019uso di materiali primordiali, tecniche della tradizione e una visione contemporanea contaminata dalla tecnologia. La raccolta di tracce, residui, texture vegetali e il rapporto con il paesaggio sono al centro del suo lavoro che si avvale di media diversi: il disegno, la pittura, la ceramica. Materiali organici come i papaveri sono utilizzati come lo strumento con cui tracciare grandi mappe, mentre le terre, i carboni e i vegetali sono la materia per dipingere paesaggi ispirati a visioni digitali. Negli ultimi anni la sua ricerca si \u00e8 estesa anche al campo del design e alla realizzazione di oggetti d\u2019arte. Espone e collabora regolarmente con diverse gallerie e istituzioni d\u2019arte contemporanea.
Annalisa Metta (1977) \u00e8 professore associato in Architettura del Paesaggio presso il Dipartimento di Architettura dell\u2019Universit\u00e0 Roma Tre. La sua ricerca si volge ad approfondimenti teorico-critici ed esperienze applicate inerenti il progetto paesaggistico con particolare attenzione allo spazio pubblico. Ha presentato gli esiti delle sue ricerche in numerosi seminari internazionali. Tra le ultime pubblicazioni: Il paesaggio \u00e8 un mostro. Citt\u00e0 selvatiche e nature ibride (DeriveApprodi, 2022), Wild and the Ciy. Landscape architecture for Lush Urbanism (Libria, 2019, con M. L. Olivetti), Coltiviamo il nostro giardino (DeriveApprodi, 2019, con F. Ferran e C. Mattogno), Southward. When Rome will have gone to Tunis (Libria, 2018, con J. Berger); Compresenze. Corpi, azioni e spazi ibridi nella citt\u00e0 contemporanea (RomaTre Press, 2017, con G. Caudo e J. Hetman).<\/p>

A tale in two voices of surviving wild presences in undeveloped urban and suburban areas, and of the imaginary landscapes that could come out of them.
To tie in with the\u00a0Eco-existences: forms of the natural and the artificial\u00a0exhibition (in conjunction with IED Firenze\u2019s Master\u2019s in Curatorial Practice) artist Caterina Sbrana and landscape architect\u00a0Annalisa Metta will be conducting an exploration of the imagination devoted to undeveloped urban and suburban areas amid lost geographies and new opportunities.
What are the presences that inhabit these areas? What stories do they tell, what visions do they suggest? How do nature and culture, the human and the non-human interact in this \u201cmiddle earth\u201d? A tale in two voices brings together the sensitivity of an artist who has made the landscape a recurrent theme of her work and the reflections of a scholar who has explored the relationship between mankind, the landscape and architecture in numerous publications. At the end of the encounter, a number of seeds of wild plants from the artist\u2019s collection will be offered as a gift to participants and restored to new landscapes.Activity free of charge while places last.
The activity will be held in the workshops of the Fondazione Palazzo Strozzi.
Biographies
Caterina Sbrana\u00a0(Pisa, 1977) studied restoration at the Istituto di Arti Operative in Perugia and graduated in painting and the visual arts from the Accademia di Belle Arti in Carrara. She conducts her artistic research in a balance between the use of primordial materials, traditional techniques and a contemporary vision contaminated by technology. Her work, which focuses on the collection of traces, residues and plant textures and the relationship with the landscape, avails itself of various different media such as drawing, painting and ceramic. Organic materials such as poppies are used as tool for tracing out large maps, while earths, carbons and plants are the materials to which she resorts to paint landscapes inspired by digital visions. In recent years her research has extended also to embrace the field of design and the production of objets d\u2019art. She shows her work and collaborates on a regular basis with a number of contemporary art galleries and institutions.
Annalisa Metta (1977) is an associate professor and landscape architect in Roma Tre University\u2019s Architecture Department. Her research addresses theoretical and critical exploration and applied experiments relating to landscape projects with a special focus on public space. She has presented the results of her research at numerous international seminars. Her most recent publications include: Il paesaggio \u00e8 un mostro. Citt\u00e0 selvatiche e nature ibride (DeriveApprodi, 2022), Wild and the Ciy. Landscape architecture for Lush Urbanism (Libria, 2019, with M. L. Olivetti), Coltiviamo il nostro giardino (DeriveApprodi, 2019, with F. Ferran and C. Mattogno), Southward. When Rome will have gone to Tunis (Libria, 2018, with J. Berger); Compresenze. Corpi, azioni e spazi ibridi nella citt\u00e0 contemporanea (RomaTre Press, 2017, with G. Caudo and J. Hetman)
https:\/\/www.palazzostrozzi.org\/archivio\/eventi\/hic-sunt-leones\/<\/a><\/p>

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Un racconto a due voci sulle presenze e le persistenze selvatiche nelle aree incolte urbane e di periferia, e sui paesaggi immaginari che ne possono nascere.<\/p>\n","protected":false},"author":1,"featured_media":6317,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"plain-container","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6315","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"\nAnnalisa Metta e Caterina Sbrana Hic Sunt Leones - 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